Story Preservation Initiative®

Preserving the Stories of Our Lives by capturing the voices, words, and meanderings of artists, scientists, writers, poets, musicians, and eyewitnesses to history. Listen, learn, and be amazed! WEB: www.storypreservation.org

Posts from the ‘About Story Preservation’ category

Educators: Learn how to spark student interest with SPI ~ and earn 3 graduate credits at New England College’s 4-day intensive Summer Institute

Story Preservation in partnership with New England College will offer a 3-graduate credit course this summer as part of New England College’s Summer Institute.

ED 6143 Story Preservation Initiative (SPI) Learning Lab: A Springboard to Project-based Learning
Summer-Institute-WEB-CALL-OUT3
This innovative course provides deeper inquiry into Story Preservation Initiative Learning Lab®, an oral history-based educational resource that combines primary source audio with project-based lessons for rich, multi-disciplinary learning. Participants will experience the power of sparking student interest in content using SPI’s collection of personal recordings.  Connecting the personal narratives of experts to content learning in the arts, sciences, humanities, and eyewitness accounts provides an exciting and unique springboard to project-based learning. Participants will learn to support students with developing orbital studies. This involves designing a question for study, developing a research plan and method for presenting their learning, and criteria to measure quality products. Through inquiry-based learning, participants will experience how rigorous and relevant personalized and differentiated instruction can increase student motivation and engagement that supports students as they develop expertise and become independent learners. (3 credits – June 26, 27, 28, 29) Instructors: Mary Kuechenmeister and Gina Aubin

For registration information please contact Kaitlyn Coe in the Education Division, at kcoe@nec.edu or 603.428.2340.

Hope to see you there!!

Getting by with a lot of help from our Friends

Story Preservation wishes to thank Morgan Blum Schneider the Director of Education at the Jewish Family and Children’s Services Holocaust Center in San Francisco for allowing us to use and share with Learning Lab partner schools the original lesson plan, which she developed, titled Surviving Hitler: A Love Story.  The lesson plan follows the story of Jutta and Helmuth Cords and their involvement with the plot to assassinate Hitler.  Jutta and Helmuth Cords daughter, Claudia Cords-Damon, shared her parents’ story with SPI.  As has been said on numerous occasions, the resulting recording “reads like a novel.”

To find out how your school can participate in the Story Preservation Learning Lab, go to: http://www.storypreservation.org, or contact us at info@storypreservation.net

The JFCS Holocaust Center is dedicated to the education, documentation, research, and remembrance of the Holocaust. The Holocaust Center is Northern California’s primary resource for Holocaust education, leading the effort to increase awareness among the general public about the causes and consequences of racism, anti-Semitism, intolerance, and indifference during the Holocaust and today.JFCS Holcoaust Center LOGO b&W.jpg

Donating = <3

Each Story Preservation recording takes, on average, 40 hours to produce. That includes research, writing, recording, editing, transcribing, more editing, tracking, mastering, and – finally – distribution to libraries and upload to our blog and Learning Lab sites.

And that’s just the fun stuff!

Thousands of hours more are spent working to sustain the organization.

If you find value in what we do, please consider making a tax-deductible donation – in any amount that suits your budget.  Click here to donate, because …

.

.

Stories Matter

Books are Meant to be Shared

books_custom-55d67cfd22a2a799169bff4d86d2f17f349dc474-s6-c30

Story Preservation wishes to thank the family of Pulitzer Prize winning poet Maxine Kumin and long-time Kumin family friend Suzy Colt for gifting a large selection of Maxine’s books to our lending library.   

Included: 

  • And Short the Season, W.W. Norton, 2014 (paperback)
  • Still to Mow, W.W. Norton, 2007 (paperback)
  • Jack and Other New Poems,W.W. Norton, 2005
  • Bringing Together: Uncollected Early Poems 1958-1988, W.W. Norton, 2003 (paperback)
  • The Long Marriage, W.W. Norton, 2001
  • Connecting the Dots, W.W. Norton, 1996
  • Up Country, Harper & Row, 1972
  • The Nightmare Factory, Harper & Row, 1970 (paperback)
  • Lizzie! Seven Stories Press, 2014
  • Quit Monks or Die, Story Line Press, 1999 (paperback)
  • The Roots of Things, Northwestern Univ. Press, 2010 (paperback)
  • Always Beginning, Copper Canyon Press, 2000 (paperback)
  • Inside the Halo and Beyond,W.W. Norton, 1999
  • The Pawnbroker’s Daughter, A Memoir, W.W. Norton, 2015
  • Oh, Harry!, Roaring Brook Press, 2011
  • What Color is Caesar?,Candlewick Press, 2010
  • Mites to Mastadons, Houghton, Mifflin, 2006

Story Preservation maintains a small but growing library of books that complement our audio collection.  All are available on a lending-basis free of charge to teachers involved with the Story Preservation Initiative Learning Lab.

April is National Poetry Month – Get Inspired

 

3830c8e5-d168-4082-9c77-67e86b86ccb72 (2).jpg

ANNOUNCING SPI’S FIRST ANNUAL STUDENT POETRY CONTEST!

The SPI Learning Lab contains the voices and stories of nationally and internationally renowned poets. We combine their stories with suggestions for projects that engage students in the art and craft of poetry writing.  OUR NATIONAL POETRY MONTH CONTEST is open to K-12 students from schools subscribing to the Story Preservation Initiative Learning Lab.  To subscribe to the Learning Lab or to register for a 10-day free trial, click Login / Register here. 

Prizes will be awarded in each of the following four grade categories:  Grades 1 – 3  /  4 – 6  / 7 – 9 / and 10 – 12.

Students can write on any subject and in any form they choose.  Looking for ideas? Here are some PROMPTS.

 

Middle / High:
  • Referencing Stephen Kuusisto’s narrative found in the Learning Lab – ARTS/ POETS with focus on Track 06 “Creating Images that Can’t be Seen,” write a poem that depicts the invisible.
  • Referencing Chard deNiord’s narrative with focus on Track 05 “The Cold Eye,” write a poem with adjectives and then a second poem with the adjectives removed.
  • Referencing Wesley McNair’s narrative with focus on Track 02 “First Poem” and Track 05 “Young Adulthood,” write a poem about a personal life experience as viewed from a distance.

 

Elementary:
  • Referencing Bruce McEver’s narrative with focus on Track 02 “Poet in a Business Suit,” write a poem that is inspired by a work of art.
  • Write a brief letter or email to a special relative or beloved pet and turn that letter into a poem with the help of
    READWRITETHINK Line Break Explorer.

 

Prizes:

Grand Prize Winner’s poems will be published on the Learning Lab site. Grand prize winners will also receive a custom designed framed print of a line from their winning poem. Grand Prize, as well as second and third place winners from each age group will receive a personal note of congratulations from Story Preservation Initiative National Poetry Month Contest judge, Wesley McNair.  (Maximum of four Grand Prize Winners, four Second Prize and four Third Prize Winners, representing one from each grade group).

 

JUDGED BY MAINE POET LAUREATE AND 2015 PEN NEW ENGLAND AWARD WINNER, WESLEY MCNAIR

 

Poet Philip Levine has called Wesley McNair “one of the great storytellers of contemporary poetry.” He has won grants from the Fulbright and Guggenheim foundations, two Rockefeller Fellowships, two NEA grants in creative writing, and an Emmy Award.  He has twice been invited to read his poetry by the Library of Congress.  He was recently selected for a United States Artists Fellowship as one of America’s “finest living artists,” and in April of 2015, he was named as the recipient of the PEN New England Award for Poetry for his latest collection, The Lost Child: Ozark Poems.

 

CLICK HERE FOR STORY PRESERVATION INITIATIVE
NATIONAL POETRY MONTH CONTEST OFFICIAL RULES

 

3603e02c-38b4-4154-af7d-1ae90fea0fc4.png

 

0bae7d9f-f698-431a-a074-60253176c06c1

 

Find Out Why the SPI Learning Lab is Grabbing the Attention of Educators

 

 

Visit the Story Preservation Initiative Learning Lab by going to:  www.storypreservation.org.  Click Learning Lab.  Click Login and register for a 10-day trial.

Entry into the Learning Lab is a way to engage students through story and involve them in project-based lessons that pique curiosity and enrich the learning experience.

While SPI primary source stories affect us emotionally and intellectually, research shows that they also cause our brain to react biochemically, as we naturally seek a coherent narrative structure in the stories we hear and tell.

With the Learning Lab, teachers reach students on both an emotional and biochemical level, increasing the potential for rich, multidisciplinary learning experiences.

The Learning Lab is appropriate for grades K-12.

With Story Preservation audio as the engagement piece, student’s ‘attention spotlight’ is turned on and focused. Project-based lesson plans, often multi-disciplinary and designed for student-led inquiry, deepen the learning.

The projects found in the Learning Lab come from numerous sources. Projects designed and tested by Learning Lab teachers are uploaded to the site – all written in Understanding by Design format. Story Preservation also culls lesson plans from trusted third-party sources, with direct links to their sites. The Smithsonian, The Getty, PBS LearningMedia, the Center for Ecoliteracy, the Library of Congress, and many more can be accessed with just one click.

Info graphics, photographs, transcriptions, book recommendations, and related links of interest round out each Learning Lab page.

The Science Behind SPI’s Learning Lab

willis-neuroscience-behind-stress-learning-ts-460x345We find ourselves at the intersection of common sense and science.  SPI engages students through story and involves them in projects that are relevant to their lives.

From Edutopia: The realities of standardized tests and increasingly structured, if not synchronized, curriculum continue to build classroom stress levels. Neuroimaging research reveals the disturbances in the brain’s learning circuits and neurotransmitters that accompany stressful learning environments. The neuroscientific research about learning has revealed the negative impact of stress and anxiety and the qualitative improvement of the brain circuitry involved in memory and executive function that accompanies positive motivation and engagement.

The Proven Effects of Positive Motivation

Thankfully, this information has led to the development of brain-compatible strategies to help students through the bleak terrain created by some of the current trends imposed by the Common Core State Standards and similar mandates. With brain-based teaching strategies that reduce classroom anxiety and increase student connection to their lessons, educators can help students learn more effectively.

In the past two decades, neuroimaging and brain-mapping research have provided objective support to the student-centered educational model. This brain research demonstrates that superior learning takes place when classroom experiences are relevant to students’ lives, interests, and experiences. Lessons can be stimulating and challenging without being intimidating, and the increasing curriculum requirements can be achieved without stress, anxiety, boredom, and alienation as the pervasive emotions of the school day.

Stories Matter

Story Preservation will be presenting at …

UPCOMING

January 12, 2016

Screen Shot 2015-11-22 at 8.20.40 AM

 

We’ve been invited to present at the New Hampshire Association of School Principals’ Winter Conference, January 12, 2016.

 

 

.

 

October 9, 2015

255x77_nea_nh

We’ve been invited to present at the NH National Education Association Instructional Conference this October.  With upwards of 500++ educators expected to attend, it offers Story another great opportunity to introduce even more teachers to Story Preservation’s Learning Lab … where …

SPI Primary Source Audio + Project-Based Lesson Plans = BIG (fun) Learning

(Just ask one of the Learning Lab kids!)

Here’s a quote from a 7th grader in an English Literacy class who we introduced to a Story recording of birdsong expert Don Kroodsma:

Screen Shot 2015-06-10 at 2.00.32 PMI think personally that this class is the greatest. I think this class is a wonderful idea and I don’t want to stop doing this. This has made me less bored during Intervention and Extension while learning things that inspire me to want to be a naturalist. I love this group and I don’t want it to end. I want to keep doing this and see how the bird sanctuary will turn out.

Here’s a link to Don’s recording: Don Kroodsma / The Singing Life of Birds

 

 

August 6, 2015

New Hampshire Department of Education, Statewide Educators’ Summit, August 2015

doe-logo-hirez-sm

Vermont Poet Laureate ⎥Chard deNiord

photoWe couldn’t be happier!  On November 2, 2015 Chard was named Poet Laureate of Vermont.

This is the fourth post in our series: Meet the Folks! A look at the people behind the scenes at Story.

Chard is a member of Story Preservation’s Board of Directors and a professor of creative writing at Providence College.  We had the good fortune to record Chard in 2013.  Audio from the session is embedded, below.

His books: Interstate (University of Pittsburg Press, 2015); The Double Truth (University of Pittsburgh Press, 2011), selected as one of the top ten books of poetry by the Boston Globe in 2011; Night Mowing (The University of Pittsburgh Press, 2005); Sharp Golden Thorn (Marsh Hawk Press, 2003); and Asleep in the Fire (University of Alabama Press,1990). His book of essays and interviews with seven senior American poets (Galway Kinnell, Ruth Stone, Lucille Clifton, Donald Hall, Robert Bly, Jack Gilbert, and Maxine Kumin) titled Sad Friends, Drowned Lovers, Stapled Songs, Conversations and Reflections on Twentieth Century American Poets was published in December of 2011 by Marick Press. He is also the co-founder of the New England College MFA Program in Poetry.

cftgntmuuaatxbnAbout Interstate, former US Poet Laureate Natasha Trethewey writes: “Interstate seamlessly connects the state of knowing, in a worldly sense, to that knowing that is deeply felt yet unbodied. The precise attention to the ordinary things of the world, and in particular to the natural world, gives way to the wisdom of the spirit undergirding these searching poems. Reading them, I felt the delights of language in each new revelation: ‘Words were all; / they came to me like birds to a tree.’”

DeNiord earned a BA in religious studies from Lynchburg College, a Masters of Divinity from Yale Divinity School, and an MFA from the Iowa Writers’ Workshop.  He lives in Putney, Vermont with his wife Liz.

Audio is a production of Story Preservation Initiative.  All rights reserved.  

Stories Matter

SPI’s Learning Lab

Susan Swartz

A page from the Story Preservation Initiative Learning Lab, a project for K-12 New Hampshire public school teachers.

We work to make this teaching resource as rich visually as it is in content.

Primary source audio / transcriptions / images / project-based lesson plans / links of interest / suggested reading material …

Go to: http://www.storypreservation.org     It’s a resource developed specifically for teachers and a model for a nationwide initiative coming in 2016.